Assoc Prof Mark Ryan

Associate Professor, School of Creative Practice

Ph.D (Queensland University of Technology), Graduate Certificate in Academic Practice (Queensland University of Technology), BA Hons (First Class) (Mass Communication) (University of Southern Qld), BA (Mass Communication) (University of Southern Qld)

Dr. Mark Ryan, publishing as Mark David Ryan, is an Associate Professor in film and screen and a Chief Investigator for the Digital Media Research Centre (DMRC). He is an expert in screen industries research, Australian genre cinema,  genre film studies, and digital media.

He is a Chief Investigator of various funded research projects:

• Valuing Web Series: Economic, Industrial, Cultural and Social Value (LP180100626)(2019-2023)
• Australian Cultural & Creative Activity: A Population & Hotspot Analysis (LP160101724)(2017-2020)
• 2018 Innovation Connections Grant
• 2018 QUT, Institute of Future Environments (IFE) Catapult Project

Mark was also received the 2018 AFI Research Fellowship, at the AFI Research Collection, Australian Film Institute and RMIT University.

He was the President of the Screen Studies Association of Australia and Aotearoa/New Zealand (SSAAAZ) between 2015 and 2018 and an Executive Member of Australian Screen Producers Education and Research Association (ASPERA) in 2015/2016. He is the co-editor of the Directory of World Cinema: Australia and New Zealand 2 – an examination of Australian feature films by popular movie genre.

His research has been published in leading film and media studies journals, including New Review of Film & Television Studies, Continuum: Journal of Media & Cultural Studies, Media International Australia: Incorporating Culture and Policy, Senses of Cinema, and Studies in Australasian Cinema. His book chapters appear in collections published by leading international academic publishers including Routledge, Sage, University of Toronto Press, University of Ottawa Press, and Bloomsbury Press. Mark has edited special issues in key film and media journals. He is currently editing a Film and History Association of Australia and New Zealand (FHAANZ) conference special issue (10.2; 2016) for Studies in Australasian Cinema. In 2010, he was invited to edit ‘Australasian Horror’ (4:1; 2010), a special issue for Studies in Australasian Cinema and the first journal issue dedicated to Australian and New Zealand horror cinema research articles. In the same year he edited the special issue ‘Film, Cinema, Screen’ (no. 136; 2010) for Australia’s premiere media and communications journal Media International Australia: Incorporating Culture and Policy, and was invited to edit the ‘Horror Movies’ (pp.188-207; 2010) section of the first edition of the Directory of World Cinema: Australia and New Zealand.

In 2014, Mark was the chief investigator of an empirical study titled ‘How is Australian Cinema Studies Taught in Australian Universities’. He was a chief investigator of the second Australian Screen Producer (ASP) survey, a nation-wide study of the motivations and practices of screen producers in four key industry sectors: film, television, corporate production and digital media. In 2015, Mark co-convened the XVIIth Film and History Association of Australia and New Zealand (FHAANZ) which brought together researchers from Australia and New Zealand as well as China, Italy, and the US. Mark has supervised five PHD theses and two Master’s theses – both traditional research theses and practice-led research projects – investigating a diverse range of subjects including horror studies, film and television studies, animation studies, and public diplomacy and cultural industries.

Projects

• ‘I’ll be back!’: screen genres as a foundation for engaging young men in help-seeking
• Australian cultural and creative activity: A population and hotspot analysis
• Australian screen content in primary, secondary and tertiary education: uses and potential
• Developing online learning management systems that enhance corporate social responsibility outcomes for Australian businesses
• Existing systems, new languages: prototyping blockchain models for the book publishing industry to deliver rights management, royalties and audience engagement
• Independent Screen Production on the Gold Coast
• Valuing Web Series: Economic, Industrial, Cultural and Social Value

Additional information