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PhD (Queensland University of Technology)
Jeremy Neideck is a performance maker and academic who has worked between Australia and Korea for almost two decades, investigating the interweaving of cultures in performance; the intersection of queer identities and theories in performance; and the modelling of new and inclusive social realities. The recipient of scholarships from Aphids, Australia-Korea Foundation, Asialink, and Brisbane City Council, Jeremy has undertaken residencies at The National Art Studio of Korea, The National Changgeuk Company of Korea, and The Necessary Stage (Singapore). Jeremy's theatre work 지하 Underground, co-written with Nathan Stoneham for Motherboard Productions, was nominated for a Matilda award and sold-out its seasons at Metro Arts, Brisbane Festival, World Theatre Festival, and the 2014 HiSeoul Festival. The feature film adaptation is currently on the development slate for Screen Queensland and SBS. His experimental dance theatre work Deluge: 물의기억 premiered at the Brisbane Festival in 2014, and toured the Seoul International Dance Festival enjoying a return season at the Namsan Drama Center in 2015. Jeremy’s work 심청 : Daughter Overboard was a reimagination of the traditional Korean tale of Shimchong that combined pansori, poetry, and political satire in a work of physical theatre which premiered at World Theatre Festival 2016. Jeremy regularly consults on the architecture and facilitation of collaborative projects and programs of institutional and community transformation. Watch out, Jeremy is Bad Company.
Projects (Chief investigator)
Additional information
- Type
- Funding Award
- Reference year
- 2019
- Details
- $34,880 - Recipient of Australia-Korea Foundation (Dept. Foreign Affairs and Trade) Project Grant for the "Hello Project" - Phase 1 in Chuncheon, South Korea.
- Type
- Funding Award
- Reference year
- 2019
- Details
- $32,700 - Recipient of Arts Queensland QASP (Queensland Arts Showcase Program) funding for the creative development of "Chorale" (Company Bad / deBase Productions).
- Type
- Keynote Speaker/Expert Panel Member/Invited Speaker for a Conference
- Reference year
- 2018
- Details
- Invited to talk on a BrisAsia Festival YumChat Round Table Discussion. Round table topic: "Australians in Asia: Intercultural and transcultural collaboration in the arts".
- Type
- Advisor/Consultant for Industry
- Reference year
- 2017
- Details
- Engaged to assist in the design and articulation of the first phase of "Performing Country", a framework for the transformation of arts and cultural institutions in partnership with local Indigenous communities. Responsibilities included: contextual review and situational analysis for the framework, development of methodology, industry and community consultation, articulating and communicating the architecture of the framework for industry and community.
- Type
- Keynote Speaker/Expert Panel Member/Invited Speaker for a Conference
- Reference year
- 2017
- Details
- Invited to speak on a panel discussion for the FUSE: Cultural Diversity in the Arts Forum. Panel topic: "(Re)presentation: Perspectives on culturally diverse contemporary arts and creative practice"
- Type
- Academic Honours, Prestigious Awards or Prizes
- Reference year
- 2016
- Details
- QUT Outstanding Doctoral Thesis Award.
- Type
- Keynote Speaker/Expert Panel Member/Invited Speaker for a Conference
- Reference year
- 2016
- Details
- Invited to talk on a BrisAsia Festival YumChat Round Table Discussion. Round table topic: "Envisioning the Future of inter-cultural collaborations".
- Type
- Keynote Speaker/Expert Panel Member/Invited Speaker for a Conference
- Reference year
- 2016
- Details
- Invited to participate in a panel discussion as part of the OzAsia Festival Connect program. Panel topic: "Navigating Transcultural Collaboration".
- Type
- Keynote Speaker/Expert Panel Member/Invited Speaker for a Conference
- Reference year
- 2015
- Details
- Invitation to participate in a Round Table Discussion at the Performing Arts Market Seoul. Round table topic: "International Co-Production, Where are we at?".
- Neideck, J. & Kelly, K. (2021). A special relationship: a broad survey of Japanese performance training methodologies’ influence on Brisbane actor training since the 1990s. Theatre, Dance and Performance Training, 12(3), 450–469. https://eprints.qut.edu.au/213621
- Neideck, J., Pike, S., Kelly, K. & Henry, K. (2021). The Iconography of Digital Windows: Perspectives on the Pervasive Impact of the Zoom Digital Window on Embodied Creative Practice. Body, Space and Technology, 20(1), 51–60. https://eprints.qut.edu.au/208573
- Neideck, J., Kelly, K., Pike, S., Rixon, T., Cornwell, K. & Rose, M. (2021). Bedroom Spectacles: New possibilities for collaboratively devised performance inside Zoom’s 'window of opportunity'. Presented at: Changing Perspectives on Live Performance: Interrogating Digital Dimensions and New Modes of Engagement. https://eprints.qut.edu.au/213911
- Park, Y. & Neideck, J. (2020). A single drop of water: Vulnerability, invisibility, and accountability in South Korean theatre’s moment of crisis. Performance Paradigm, 15, 56–80. https://eprints.qut.edu.au/199562
- Pike, S., Neideck, J. & Kelly, K. (2020). ‘I will teach you in a room, I will teach you now on Zoom...': A contemporary expression of zooming by three practitioner/academics in the creative arts, developed through the spirit of the surrealist's exquisite corpse. International Journal of Performance Arts and Digital Media, 16(3). https://eprints.qut.edu.au/205059
- Neideck, J., Stoneham, N., Park, Y. & McKeague, M. (2020). Remember Underground [Play]. https://eprints.qut.edu.au/207050
- Neideck, J., (2019). "We need to keep one eye open . . . ": Approaching butoh at sites of personal and cultural resistance. In B. Baird & R. Candelario (Eds.), The Routledge companion to butoh performance (Routledge Theatre and Performance Companions) (pp. 343–357). Routledge. https://eprints.qut.edu.au/122101
- Neideck, J., Park, Y. & Stoneham, N. (2019). Hello Project. Presented at: Hello Project. https://eprints.qut.edu.au/134148
- Street, S. & Neideck, J. (2018). Review and analysis of Australian and Singapore arts and cultural activities. https://eprints.qut.edu.au/122098
- Neideck, J., (2016). The cost of cultural ambition. https://eprints.qut.edu.au/122142
- The Creative Impact of the Symbiosis between Public Funding Agencies and Arts Sector: A Hong Kong Case Study
PhD, Associate Supervisor
Other supervisors: Professor Sandra Gattenhof